El Origen Page

In the high, thin air of the Sierra Nevada de Santa Marta, Colombia, the Arhuaco people do not ask where you are from. They ask: “Do you remember your Origin?”

Sofía Márquez, the artist, eventually took her hidden canvas to a gallery. She titled it No me he ido del todo — “I haven’t entirely left.”

“Western science loves a single beginning,” she told me over coffee in La Paz. “A first cause. A spark. But my grandmother’s stories say there is no first — only cycles. The world has ended and begun again many times. El Origen is not a date. It is a ritual.”

“That’s it,” Sofía says. “That’s El Origen. Not a place you return to. But a place that returns to you.” El Origen is never lost. It simply waits to be remembered — one breath, one story, one broken and taped-together drawing at a time. El Origen

The Rarámuri of Chihuahua say that the first people were given drums, not instructions. The origin was a rhythm. As long as you can hear it — even faintly — you have not fallen from grace. So where is El Origen ?

The question is not philosophical. It is practical. To forget El Origen — the place where your spirit first recognized itself — is to become untethered. The Earth becomes just rock and soil. The river becomes just water. The corn becomes just food.

By A. Reyes

“You can lose your papers,” he says. “You can’t lose this.” Linguists note that in nearly every indigenous language of the Americas, the word for “origin” is also the word for “breath” or “beginning of a song.” The Nahuatl īīxiptla (origin) shares roots with ihtoā (to speak). To originate is to speak yourself into being.

Her paintings sell for thousands. But she keeps one small canvas in her studio, hidden. On it, a single hand reaches up from a sea of blue. “That’s my abuela’s hand,” she says. “She taught me that the sea has memory. El Origen is the first time you believed you belonged somewhere.” Science has its own version of El Origen . In 2024, a team of paleogeneticists published a landmark study tracing the first human footprints in the Americas to a single migration event roughly 23,000 years ago — a small band of hunters crossing a now-vanished land bridge from Siberia into Alaska.

“I painted El Origen as a wound,” says Sofía Márquez, a 34-year-old Chilean-born visual artist now living in Barcelona. Her latest series, Rostros del Principio , depicts faceless figures emerging from cracked earth. “I left Chile when I was nine, during the dictatorship. My parents never spoke of ‘before.’ So I had to invent an origin. Not the traumatic one — the one before the trauma.” In the high, thin air of the Sierra

His drawing has been torn twice — once by border patrol, once by accident. He has taped it back together each time.

It is under the floorboards of a demolished home in Michoacán. It is in the recipe for sopa de piedra that no one wrote down. It is in the curve of a river where a boy first learned to swim. It is in the moment before a photograph is taken — the breath held, the future not yet fixed.

The lead author, Dr. Elena Quispe (Aymara heritage, Harvard-trained), caused a stir when she refused to call the finding “the origin.” “A first cause

She pulled a small stone from her pocket — a ch’alla offering stone, worn smooth. “This was my grandfather’s. He said it came from the beginning. But he also said the beginning is always happening. Every time you plant a seed, you return to El Origen.” Perhaps the most poignant version of El Origen belongs to those in movement. On the northern border of Mexico, inside a migrant shelter in Tijuana, a 17-year-old from Honduras named Carlos has drawn his origin on a cardboard bunk.