Augie picked up the 78-rpm master recording of "Dos Gardenias." It was still wet. He held it in his hands like a communion wafer.
Augie wanted to believe him. He looked at the DeSoto. It was a rental, paid for with three months of savings. He looked at the lights of the old city, the Morro Castle glowing amber in the twilight. Everything was gold and green. The streets were full of tourists with fat wallets and thin morality. The Cubans laughed loud and danced harder, because everyone knew—on some cellular level—that a city this beautiful could not last.
As he drove down the Prado, he saw them. The students. They were gathered outside the University gates, printing leaflets on a rickety press. Their faces were young and hard, not like his face. They didn't want a DeSoto. They didn't want to sing at the Tropicana. They wanted the casinos closed and the Americans gone. They looked at Augie’s suit and saw a collaborator. Augie looked at their clenched fists and saw the end of his hayday .
He rolled down the window. He turned the radio on. The only station still broadcasting played a scratchy recording of the national anthem, then silence. hav hayday
“No,” he said softly.
Augie looked out the window. The golden glow of the hayday was gone. In the east, the sky was a bruised purple. He could hear the distant pop of firecrackers—or were they gunshots?
He looked at Pepe. The Mexican was already stuffing cash into a briefcase. “The plane leaves in two hours,” Pepe whispered. “Miami. You can still make it. You have the voice, Augie. You don’t need the island.” Augie picked up the 78-rpm master recording of
“You sing ‘Dos Gardenias,’ Augie,” Pepe had said, sweating through his guayabera. “You sing it like you mean it, and the gringos in Miami will eat you up. We go to New York. Vegas. We leave this island to the crabs and the cane toads.”
To Augie, it wasn’t just a time. It was a texture. It was the smell of cigar smoke and roasted plantains drifting from the El Floridita bar, where Hemingway had left a stool empty only moments ago. It was the rhythm of the conga drum that never stopped, bleeding out of the Tropicana Club where the showgirls wore feathers imported from Rio and diamonds that cost more than a village in Oriente Province.
He walked out of the studio, past the panicked announcers, past the shattered glass of a casino window that had just been looted. He got into the DeSoto one last time. He drove not to the airport, but to the Malecón. He parked the car facing the sea. He looked at the DeSoto
The hayday was over. And the silence that followed was the loudest sound he had ever heard.
He parked the car. He walked into the radio station. The red light blinked on.
The Last Season of Light