Mylifeinmiami.24.05.31.bella.torres.dahi.and.ki... Link
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Mylifeinmiami.24.05.31.bella.torres.dahi.and.ki... Link

In the frame, Dahi leaned against the railing, her curls a mess of humidity and defiance. She was laughing at something off-camera, her gold chain catching the last of the daylight. Next to her, Ki— Kiara , Bella’s memory finally supplied—was rolling a cigarette, her movements slow and precise, like she was defusing a bomb.

She closed the laptop.

The file name hung there, unfinished, like a sentence cut off by a held breath.

She clicked play anyway.

Bella didn’t remember recording this.

Outside her new apartment in Hialeah, the real Miami hummed—the same heat, the same ghost landlord, the same broken rail somewhere. But Dahi had moved to Atlanta last fall. Kiara had vanished the night of the storm, leaving behind only a half-smoked pack of American Spirits and a single gold earring.

Dahi turned, her smile fading into something softer. “What’s there to say? The heat is trying to kill us, the landlord is a ghost, and you owe me forty bucks for the AC repair.”

The video stuttered. Pixels glitched into squares of neon green and black. The audio warped—Dahi’s laugh became a metallic scream, then silence.

Bella Torres stared at the corrupted data string on her laptop screen. The last three letters— Ki —could have been the start of a name, a place, or a goodbye. Kiara. Kill. Kiss.

But there was her own voice, younger, lighter, coming from behind the phone. “Say something for the archive. MyLifeInMiami, take fifty-seven.”

Bella touched the earring, which she now wore on a chain around her neck.

She had never finished the file name because she didn’t know how. MyLifeInMiami.24.05.31.Bella.Torres.Dahi.And.Ki...

Kiara lit the cigarette, exhaled a gray ribbon toward the sky. “Say that we were here,” she said, not looking at the camera. “That’s enough.”

Then she saved it, closed the lid, and went out into the wet, electric night to find a ghost story that was still breathing.

Shakespeare Video Collection

Showcasing behind-the-scenes videos at the Globe, candid interviews with renowned Shakespeare actors and directors, as well as controversial adaptations of the Bard, the Shakespeare video collection is an ideal resource for students, academics, and practitioners. Rare documentary footage focuses on the Globe’s status as a unique theatrical institution, whilst the collection’s critical commentaries aim to demystify and illuminate Shakespeare’s most challenging works.

Paterson Joseph starring as Brutus in the production Julius Caesar for the Shakespeare Video Collection
Fiona Shaw starring in Deborah Warner’s adapation of Richard II for the Shakespeare Video Collection
An actor dressed in costume with white and red face paint holding a stick for the Shakespeare Video Collection

This collection features:

  • The captivating documentary Muse of Fire, which follows actors Giles Terera and Dan Poole across the world as they question theatre luminaries such as Sir Ian McKellen, Dame Judi Dench, Tom Hiddleston, and Baz Luhrman about what Shakespeare means to them
  • Several filmed adaptations of Hamlet, ranging from a 1940’s retelling set in post-war London, to slapstick Shakespeare in Hamlet Stooged!, and a musical rendition, Heavy Metal Hamlet, performed by the experimental Australian theatre troupe, OzFrank
  • The 1997 screen version of Deborah Warner’s controversial adaptation of Richard II, featuring Fiona Shaw in the titular role
  • Adaptations of Macbeth, including Gregory Doran’s acclaimed RSC production with cast and director interviews and OzFrank’s inversion of the classic: Voodoo Macbeth

This collection includes rare footage, often from smaller theatre troupes whose experimental interpretations can provide a more comprehensive understanding of theatre in general and of particular plays. Please note that smaller theatre companies sometimes have lower budgets, which can impact production values.

Synchronised transcripts and closed captions for this collection are being added to videos on a rolling basis. All videos will have transcripts by December 2023. Where films in these collections are in a language other than English, captions will appear on the video and may not always be accessible to screen readers. MyLifeInMiami.24.05.31.Bella.Torres.Dahi.And.Ki...