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The rise of subscription-based adult content platforms has disrupted traditional sex work hierarchies, yet they have also reproduced—and intensified—new forms of digital dependency. This paper analyzes the controversial online persona of “Caryn Beaumont,” a mid-tier OnlyFans creator whose content strategy explicitly marketed a “slave” dynamic to subscribers. Moving beyond moral panic, this paper examines how Beaumont’s career operationalizes the language of historical bondage as a commodified aesthetic. Through a mixed-method analysis of her public tweets, pay-per-view (PPV) messages, and leaked content descriptors, we argue that Beaumont’s “digital slavery” is neither liberation nor straightforward exploitation, but a hyper-ritualized form of parasocial labor where boundaries between performance, economic coercion, and fan entitlement collapse.

OnlyFans, digital labor, paraphilic capitalism, parasocial relationships, Caryn Beaumont, erotic submission. 1. Introduction In 2023, a pseudonymous creator known as “Caryn Beaumont” gained niche notoriety on OnlyFans not for high-production glamour, but for a raw, brutalist aesthetic of submission. Her bio read: “Your digital slave. No limits. No safe word. Pay to command.” Over 18 months, Beaumont reportedly generated $470,000 by allowing paying subscribers to dictate her daily activities—from wardrobe choices to self-harm adjacent acts (simulated, per her disclaimers) and real-time humiliation scripts. OnlyFans 2024 Caryn Beaumont Slave Leia Sextape...

Dr. A. M. Theoretique, Department of Digital Sociology & Media Studies The rise of subscription-based adult content platforms has

The Digital Plantation: Power, Performance, and Parasocial Labor in the OnlyFans Career of Caryn Beaumont Through a mixed-method analysis of her public tweets,

Most subscribers did not physically harm Beaumont. However, qualitative analysis of 200 task requests found that 68% involved emotional or physical degradation, 22% were neutral (e.g., “wear a red dress”), and 10% were prosocial (e.g., “take a break, here’s $50”). The platform’s review system did not flag degradation as abuse because it was pre-negotiated . Beaumont thus became a human shield, absorbing violent fantasies that might otherwise be enacted offline.

Yet we must ask: When a white woman (Beaumont is presumed white based on her imagery) performs “slave” for profit, does she appropriate and trivialize Black chattel slavery? Beaumont never addressed this, but her subscriber base reportedly included Confederate flag emoji users. Her silence was itself a commercial choice—controversy drives engagement. Caryn Beaumont’s “slave” content is not an anomaly but a stress test of digital labor ethics. OnlyFans allowed her to sell the illusion of total submission while offering no mental health support, no pension, and no recourse when fans turned stalker. Her career suggests that the “gig economy” for intimacy has reintroduced a master-servant dialectic—only now the master pays by the command, and the servant cancels her own boundaries for a tip.