The exit is the same as the entrance. The difference is the smile on your face when you step off. The End (and the beginning of the next lap).
Unlike the static princesses of the 19th century—asleep, imprisoned, or peddled from kingdom to kingdom—the Princess who "goes round" is kinetic. She is the operator of her own merry-go-round. The up-and-down motion of the painted pony mimics life: the dizzying highs of first love, the grounding lows of loss, and the steady, circular rhythm of returning home. Why "round"? Because growth is rarely a straight line.
But here is the magic: on a carousel, you never move forward. You only move around . And yet, you are never in the same place twice.
There is a specific moment in every childhood story—just before the clock strikes midnight, or right as the thorny hedge begins to grow—where the princess must make a choice: stay still and wait for the tale to end, or take another spin on the carousel.