He began a new melody. A single, repetitive note, like a dripping faucet in an abandoned hospital. Then a second note, a minor third, creating a tiny, aching gap. He played the gap over and over.
"What is that supposed to be?" Belial whispered.
He placed his claws on the keys. Not to summon fire, or to break minds, but to play the Nocturne in C-sharp minor . His fingers, built to tear spines, moved with a gentleness that would have shocked Heaven. sad satan ost
Asmodeus, the Demon of Wrath, sat alone in the ruins of the grand ballroom. Outside, the sulphur rain hissed against broken stained glass. Inside, it was just him and a Steinway he’d stolen from Vienna in 1912.
Belial sat on a shattered pew. "Play the old one. The one from the Crusades. The angry one." He began a new melody
But that was before the Silence.
A century ago, God stopped listening. The prayers of the faithful grew hollow, then stopped. Without divine attention, Hell lost its purpose. The torture became boring. The sinners stopped screaming and simply stared at the walls. The other demons grew fat and lethargic, their malice curdling into a deep, existential boredom. He played the gap over and over
"I still make them weep," Asmodeus said, his voice soft. "Just not for the same reason."
It wasn't always this way. Once, Hell had rhythm. The forge-hammers of the damned beat in time, the screams formed a chaotic choir, and Lucifer himself would tap his hooves to the percussion of falling empires. Asmodeus was the court’s virtuoso. He composed the soundtrack for the Fall—a beautiful, crashing descent into dissonance.