The Chainsmokers - Memories...do Not Open -2017... -

⭐⭐⭐ (3/5) – Flawed, repetitive, but weirdly essential for understanding 2017 pop. Best listened to: On a rainy highway drive. With the windows slightly cracked. And yes, you’re allowed to skip “Break Up Every Night.”

In 2025, that criticism feels less urgent. Memories...Do Not Open isn't high art. It's a vibe . It’s the soundtrack to a specific type of hurt—the kind you feel when you’re 22, it’s 2 AM, and you’re in the back of an Uber looking out the window at city lights. Does It Hold Up? Yes and no.

The spiritual sequel to “Closer.” It has the same “let’s run away from our problems” energy, but with a slightly darker, more mature synth line. “They told me if you're in Paris / Then you'll always have the weekend.” Perfect for crying in a Zara dressing room. The Chainsmokers - Memories...Do Not Open -2017...

Released: April 7, 2017 Label: Disruptor / Columbia Genre: Future Bass, Pop EDM, Electropop

And... they weren't entirely wrong.

If you were anywhere near a radio, a college dorm, or a gym locker room in the spring of 2017, you couldn’t escape The Chainsmokers. Following the meteoric (and some might say exhausting ) success of “Closer” and “Don’t Let Me Down,” Alex Pall and Drew Taggart did what any sensible hitmakers would do: they doubled down. Hard.

The villain of the album. Critics hated this one. It’s frantic, punk-lite, and weirdly paced. But in 2017? It was a chaotic banger. Listening now, it feels like a fever dream. The Criticism (Then vs. Now) In 2017, the reviews were brutal. Pitchfork gave it a 1.5 out of 10. The general consensus was: "Same song, 12 times, with different guest verses." And yes, you’re allowed to skip “Break Up Every Night

Lyrically, the album doesn't push boundaries. You’ll hear the word “these days” approximately 47 times. The guest spots (Jhene Aiko, Florida Georgia Line, Emily Warren) often feel like they are singing in a different room than the beat.

Arguably the most underrated track on the album. It strips back the bombast for a minute and actually lets Drew sing (with auto-croon) about the anxiety of success. “I’m sorry if I’m up and down a lot these days.” It’s vulnerable in a way the rest of the album is too polished to admit. It’s the soundtrack to a specific type of

The drop in “Young” sounds dated. The rap-sung verses in “Bloodstream” are a product of a very specific 2016-2017 moment. But songs like “Paris” and “Honest” have aged into comfort food. They remind you of a time when EDM was trying to conquer Top 40 radio with sad boy lyrics and huge synthesizers.