Top — 40 Kiss Fm 2012

It was the summer of 2012, and the only thing that could cut through the humidity of a Midwestern July was the blast of "Top 40 at 4:00" on 98.7 KISS FM. For sixteen-year-old Mia, that countdown wasn't just a radio segment; it was the soundtrack to the end of the world as she knew it.

Number 1 was inevitable. It had been number one for eleven weeks. As the opening synth pulse of "We Are Young" by fun. featuring Janelle Monáe filled the car, Chloe pulled over onto the gravel shoulder of County Road 9.

Mia nodded. "I'll have the Top 40 ready."

By the time they hit Number 4—Ellie Goulding’s "Lights"—Mia’s eyes were wet. The song wasn't sad, but the synth arpeggios felt like memories slipping through her fingers. top 40 kiss fm 2012

Mia looked at Chloe. Chloe looked at Mia. In the rearview mirror, the summer of 2012 stretched out like a ribbon of asphalt. School was starting. The Mayan calendar hype was dying down. Everyone was getting iPhones that didn't have a home button that stuck.

The list was a time capsule. They’d scream every word to Gotye’s "Somebody That I Used to Know," even though neither had ever actually been through a real breakup. They’d pump their fists to Flo Rida’s "Whistle," a song their parents naively thought was about, well, whistling. And when Carly Rae Jepsen’s "Call Me Maybe" came on for the third time in an hour, they didn't roll their eyes. They held invisible phones to their ears and serenaded the cows in the passing fields.

She never forgot the list. Not the exact order, not the key changes, not the way the bass thumped through her best friend's broken cupholder. In the years that followed, whenever she heard one of those songs at a wedding reception or a grocery store, she wasn't an adult with a 401(k). She was sixteen, windows down, chasing the horizon with the volume maxed out, convinced that 2012 would last forever. It was the summer of 2012, and the

They didn't say anything. They just sat there, the engine ticking, the stereo blasting:

That August, Mia had a crisis. Her family was moving three hours away. The "Top 40" that fall would be heard in a different car, on a different frequency (KISS FM existed everywhere, but it never felt the same). The last week before the moving van arrived, they did a ritual drive.

Number 10: Maroon 5 – "Payphone." Number 9: fun. – "Some Nights." It had been number one for eleven weeks

"I'll pick you up for Thanksgiving," Chloe said, her voice thick.

Her best friend, Chloe, had just gotten her driver’s license—a beat-up Honda Civic with a shattered cupholder and a CD player that only ejected if you hit the dashboard just right. Every afternoon, they’d roll down the windows, let the heat swamp the vinyl seats, and turn the volume until the speakers rattled.

But in that moment, frozen in the static of the KISS FM bumper, they were exactly where they belonged.