Will: Power Edward Aubanel

That night, unable to sleep, Will returned to the library. He began to translate the journal by flashlight. Sabine’s poems weren’t minor at all. They were devastating—about a woman who built a garden in a prison yard, who taught illiterate factory girls to read using smuggled newspapers, who loved another woman and wrote about it as if the sky were a held breath.

Will Power Edward Aubanel had always hated his name. It was a cruel joke his late father, a classics professor with a flair for the absurd, had left him. “Will Power” as a first name, “Edward” as a fig leaf of normalcy, and “Aubanel” as the surname that guaranteed no one would forget the punchline.

Here’s a short story built around the name . Title: The Last Syllable Will Power Edward Aubanel

Months passed. He catalogued, de-acidified, resewed bindings. He learned obsolete dialect words. He wrote to rare-book dealers, begged for microfilm access, argued with a dean who said Sabine wasn’t “marketable.” His name, Will Power, became a quiet joke among grant committees—but also a promise. He wouldn’t stop.

By dawn, Will had decided: he would restore the entire journal. Not as a job. As an act of will. That night, unable to sleep, Will returned to the library

One Tuesday, a water-damaged box arrived from a condemned estate. Inside: a 19th-century journal bound in cracked leather. The owner had been a minor poet named Sabine Durand, erased from history because her patron had been a political dissident. As Will carefully separated the pulp-molded pages, he found something strange—a pressed fern, and beneath it, a single line of verse:

“What grows in the dark does not ask for a witness.” They were devastating—about a woman who built a

Will smiled. “Because someone had to will her back into the world. And I had the right name for it.”

Will understood then. His father hadn’t been mocking him. He’d been naming a prophecy: a person whose entire existence was a verb. To will power into being, for things that had none.

He went home, brewed tea, and started on the next box—a shoemaker’s diary from 1888, filled with pressed flowers and the names of lost children.